(Source: captainspaceheart)

fishingboatproceeds:

#sass

(Source: bidenette)

(Source: theinternetsanimals)

zenpencils:

CHRIS HADFIELD An astronaut’s advice

climateadaptation:

In declaring the state of emergency, Peru’s environment ministry said tests in February and March found high levels of barium, lead, chrome and petroleum-related compounds at different points in the Pastaza valley.

Pluspetrol, the biggest oil and natural gas producer in Peru, has operated the oil fields since 2001. It took over from Occidental Petroleum, which began drilling in 1971, and, according to the government, had not cleaned up contamination either.

Several multimillion dollar fines have been levied against Pluspetrol in recent years. The company has appealed against all of the fines in the Peruvian courts…

Note, though that “The Peruvian government plans to auction a further 29 new oil and gas concessions this year.”

jtotheizzoe:

Typography/Topography

An Earth-inspired typeface designed by Siyu Cao that creates shapes and letters from classic typographic map features. The two-dimensional forms are great, but the 3-D carvings really drive it to the mountaintop.

I’ve seen a lot of Earth as Art projects, but never a typeface. Excellent work.

Bonus: Check out some of my other favorite science-inspired typography here.

krystalpuffs:

videoweed:

flozac:

the principal at my school made an announcement yesterday that the girls need to start covering up and then i found this in the hallway

should i post this all over my school because god damn

Round of applause goes to this person.

awkwardsituationist:

“not natasha,” a photographic essay on eastern european sex trafficked slaves by dana popa

(documentary, the real sex traffic; film, lilya 4-ever)

climateadaptation:

From Michael Marten’s series, Sea Change, which explores rising sea levels from regular tides and also climate change. His statement:

‘Sea Change’ is a study of the tides round the coast of Britain. The views in each diptych are taken from identical positions at low tide and high tide, usually 6 or 18 hours apart.

I am interested in showing how landscape changes over time through natural processes and cycles. The camera that observes low and high tide side by side enables us to observe simultaneously two moments in time, two states of nature.

Recent landscape photography often focuses on human shaping (and reshaping) of the environment - urbanisation, globalisation, pollution. Even when critical and committed, this approach can emphasise, even glamorise, humankind’s power over nature. I’m interested in rediscovering nature’s own powers: the elemental forces and processes that underlie and shape the planet.

The tides are one of these great natural cycles. I hope these photographs will stimulate people’s awareness of natural change, of landscape as dynamic process rather than static image. Attending to earth’s rhythms can help us to reconnect with the fundamentals of our planet, which we ignore at our peril.

‘Sea Change’ also comments on climate change. The tide floods in and quickly recedes again, but rising sea levels will flood our shores and not recede for thousands or millions of years. Many of the views in these pictures may have disappeared in 100 years’ time.

— Michael Marten

Lens Culture

thegreenurbanist:

cheatsheet:

We got 8,831 points on GeoGuessr. Can you beat us? Warning: If you have anything to do this morning, don’t click here. 

 11,394 points - impressed with myself.